August 29th, 2008 11:33am
Paradigm Kisses
of Montreal “Nonpareil of Favor” – Right at the end of the first phase of “Nonpareil of Favor,” Kevin Barnes sings something so earnest and thoughtful that it makes me feel extraordinarily envious: “It’s like you were always there, just on the tip of my tongue / and I needed you to happen / and now that you’ve happened / and it really really really came true / I feel like I ought to thank somebody / and so I’m gonna thank you / thank you thank you thank you / thank you, thank you.” It doesn’t matter that he’s coming from a place of vulnerability and neediness; if anything that’s what makes the sentiment so potent — it acknowledges his weakness, and credits someone with helping him build the framework to be happier, stronger, and more stable. It’s a lovely expression of gratitude; you could call it Kevin’s personal version of “Thank You (Falettin Me Be Mice Elf Agin).”
Anyway, this moment comes and goes within the first minute of Skeletal Lamping, and from there on out, all pride is cast aside, and Barnes delves deep into his psyche, inhabiting and then deconstructing every stray thought and fantasy in his non-linear path. I’m not sure whether I’m being overly literal or fanciful about this, but the beginning of the journey seems to be when “Nonpareil” enters its loud, heavy phase, and he sings “I’m cracking, my sweet love” a few times over before the piece enters its more peaceful outro. This sequence recalls the bits of science fiction in which the heroes must make their journey — a turbulent trip via time machine, space ship, a drill through the center of the earth, tornado, rabbit hole, whatever — and enter into some strange new landscape. All of Barnes’ songs are colorful, but by the time this song concludes and we move on to “Wicked Wisdom,” the implied palette is far more saturated and eccentric; his equivalent to switching to Technicolor upon Dorothy’s arrival in Oz. (Click here to pre-order it from Polyvinyl Records.)