Fluxblog
January 7th, 2021 3:01am

Break Out Of Your Core Categories


Stephen Malkmus & The Jicks “Wicked Wanda”

The lyrical content of Real Emotional Trash is split between playful imagery and thoughtful introspection, and in the case of “Wicked Wanda” it’s pretty much an even bisection. It’s two angles on psychedelia – the first half more fanciful and trippy, the second half much about ego-loss. This song, along with “Elmo Delmo,” confronts anxiety and fear in a way that was unusual for Malkmus up to this point in his career – or at least for him to be so direct about it. This part breaks into two verses, and the first is more tranquil and ideal as he lets go and allows himself some clarity and peace of mind in feeling small. The second verse is darker: “stories, not reality / I feel like a junk contraption / truth is I can’t shake this vile fear.” That last line always rattles me a bit, partly because Malkmus always presents as being so unflappable. But that image of him, the man who’s got so much style that it’s wasted? That’s a story, not reality.

“Wicked Wanda” attains some degree of grandeur and grace thanks in large part to the presence of Janet Weiss on drums and backing vocals. Weiss was a member of the Jicks for a little over five years after Sleater-Kinney dissolved after touring for The Woods, but she only plays on Real Emotional Trash and Mirror Traffic. She has a more heavy influence and obvious presence on the former, and it’s clear that working with a drummer as powerful and proficient in her emboldened Malkmus to aim for a dynamicism and drama that wouldn’t have ever worked with any of Pavement’s drummers. Weiss’ predecessor John Moen was similarly proficient but not quite as hard hitting or as flashy with fills. She does well with the songs on Mirror Traffic but that material doesn’t seem as tailor-made for her, and while that is probably just the natural drift of his songwriting muse it also seems like the novelty of having a drummer like that became less of a novelty and more of a day-to-day reality. Four albums down the line from her departure it feels like Weiss’ presence was a very good experience for Malkmus to have, but also something that was probably better as a phase than a permanent situation.

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