April 23rd, 2013 1:44am
You Can’t Cross The Line
Phoenix “S.O.S. In Bel Air”
Thomas Mars once wrote very clear and obvious lyrics, but now his words are an odd, oblique code – there’s a suggestion of context, and some perspective on a conflict, the gist of an emotion. He’s basically telling the listener to give up on trying to connect with exactly what he’s thinking, and to project whatever you need on to the songs. I appreciate this, and that’s certainly what I’ve done with “S.O.S. In Bel Air.” The thing that got me right away was the repetition of “you can’t cross the line but you can’t stop trying” – at first, as an expression of Sisyphean frustration, and more recently, as a struggle with boundaries, both self-imposed, and those created by others.
I recognize and relate to the dynamics of the song too – it’s pretty tense through the bridges, and the “cross the line” bit winds up very tight, a single thought just repeating til it wears out a part of your brain. But that chorus is a relief, with the song at its most relaxed when Mars asks a simple, direct question: “Do you need another one, someone to talk to?” The answer is usually yes.
Buy it from Amazon.