Going And Going And Going

⣎⡇ꉺლ༽இ•̛)ྀ◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ “೧ູ࿃ूੂ༽oooooo(ଳծູ　̟̞̝̜̙̘̗̖҉̵̴̨̧̢̡̼̻̺̹̳̲̱̰̯̮̭̬̫̪̩̦̥̤̣̠҈͈͇͉͍͎͓͔͕͖͙͚͜͢͢͢͢͢͢͢͢͢͢͢͢͢͢ͅ l̡̡̡ ̡͌l̡*̡̡ ̴̡ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡ ɵੂ≢)_̴ı”

I stumbled into this song on Spotify and was immediately very excited by it, but confused and frustrated by all the text associated with it being in indecipherable wingdings. I was thinking about how self-defeating it is for some new artist to make something so well-composed and brilliant, like if Four Tet went kinda rave-y, and made it so impossible to know anything about them. I went out of my way to figure out how to copy/paste the wingdings from Spotify and then I found out that…well, it actually IS Four Tet. This shouldn’t be too surprising to me as Kieran Hebden has reached a very Aphex Twin/Luke Vibert stage of his career in which he’s been using a handful of alternate names to release his music, but it is disappointing in that I would have liked for this to be someone totally new. This is very plausible as music heavily influenced by Hebden rather than actual Hebden music – the melodic keyboard part is very him, but the track feels less dense and more symmetrical than usual. The vocal loop fits in with his M.O. but it’s less artful than his usual sample manipulation – rather than odd cuts and intervals, it’s more of an unbroken hypnotic repetition. But these are observations, not criticisms: This song is as direct and effective and fun as he ever gets.

Buy it from Bandcamp.